Old Crow Medicine Show Performs Blonde on Blonde

DSP Shows

Old Crow Medicine Show Performs Blonde on Blonde

Driftwood

Sun · May 28, 2017

Doors: 5:00 pm / Show: 7:00 pm

$40 Advance

This event is all ages

Old Crow Medicine Show
Old Crow Medicine Show
Old Crow Medicine Show started busking on street corners in 1998 New York state and up through Canada, winning audiences along the way with their boundless energy and spirit. They eventually found themselves in Boone, North Carolina where they caught the attention of folk icon Doc Watson while playing in front of a pharmacy. He invited the band to play at his festival, MerleFest, helping to launch their career. Shortly thereafter the band was hired to entertain crowds between shows at the Grand Ole Opry in Nashville, TN.

It's been over nineteen years since these humble beginnings. The band has gone on to receive the honor of being inducted as members of the Grand Ole Opry, and have won two Grammy Awards: "Best Folk Album" for Remedy (2014) and "Best Long Form Music Video" for Big Easy Express (2013). Additionally, their classic single, "Wagon Wheel", received the RIAA's Platinum certification in 2013 for selling over 1,000,000 copies.

Old Crow Medicine Show has toured the world playing renowned festivals and venues such as: Bonnaroo, Red Rocks Amphitheater, Cambridge Folk Festival, Coachella, London's Roundhouse, The Ryman Auditorium, The Barclays Center, New Orleans Jazz Fest, The Fox Theater Atlanta, The Kennedy Center Concert Hall, Summerstage in Central Park NYC, Forecastle, the Newport Folk Festival, and several appearances on A Prairie Home Companion. They've toured with artists such as Willie Nelson & Family, Brandi Carlile, Mumford & Sons, The Lumineers, John Prine, The Avett Brothers and others.

In 2011 Old Crow found themselves embarking on the historic Railroad Revival Tour with Mumford & Sons, and Edward Sharpe & the Magnetic Zeros. This tour had the bands riding a vintage train from California to New Orleans, playing shows along the way. The magic of this musical excursion across America's vast landscape is captured in the Emmet Malloy directed documentary, Big Easy Express.

Old Crow Medicine Show now have five studio albums to their name, three of which were released by Nettwerk Records - O.C.M.S (2004) and Big Iron World (2006) produced by David Rawlings, and Tennessee Pusher (2008) produced by Don Was. In 2012, ATO Records released the Ted Hutt produced, Carry Me Back, on which they continued to craft classic American roots music. The band's latest album, Remedy (2014), released by ATO Records and also produced by Ted Hutt includes new Old Crow classics like "Sweet Amarillo," "8 Dogs 8 Banjos," and "Brushy Mountain Cojugal Trailer".
Driftwood
Driftwood
When most people think of upstate New York, they either imagine bucolic landscapes or working-class towns. As natives of Binghamton, the members of Driftwood hail from a working town, but play music rooted in the land, leaning alternately into folk, old-time, country, punk, and rock, depending on their personal moods and their songs’ needs.

“It’s sometimes tough to keep any sort of focus on style or sound when you have three different songwriters,” guitarist Dan Forsyth concedes. “But it also allows us to branch out and explore in ways other bands don’t. Also, I think it’s important, as a band, to ask ourselves ‘Is this a good next step?’ I think everyone is very excited to know that it is.” Describing the Driftwood sound, banjo player Joe Kollar offers, “I consider our sound to be more of an attitude and an approach — the result of all of our influences in a completely open musical forum where the only stipulation is to use bluegrass instruments and create it from the heart.”

That’s as close to being pinned down as Driftwood ever gets. Such has always been the case for artists blurring and blending genre lines in order to innovate. Yes, they wield old-time instruments, but they do so with a punk-rock ethos. “I do not know much about punk music, but I do know that it gives me a feeling of tearing into something without inhibition,” violinist Claire Byrne says, adding, “Old-time music has the same feeling for me. The music was a release for people living extremely hard lives in harsh conditions. In this way, the two styles of music are very similar: It’s digging in and making a statement. It’s rocking out and feeling totally reborn through the song.”

Driftwood has been digging in and rocking out since their 2005 formation, playing an average of 150 shows a year. “In the beginning, we hit the road constantly with an all-or-nothing attitude,” Forsyth confides. “We were doing it with a lot of passion, but had no thoughts about long-term sustainability. Life outside of the band was minimal. One thing that I think we started to notice was, when you’re always in it, you have no perspective and you start to lose yourself in a weird way.”

As such, gigging and traveling that much can’t help but influence and inform the band, individually and collectively. In the past, they used the stage to work out arrangements of new songs. For City Lights, they used the studio. “Keeping this kind of touring schedule, we have thought of recording albums as a sort of secondary thing and considered ourselves a ‘live’ band. We learn so much on the road and this kind of work has always felt productive,” Forsyth explains. “It wasn’t until this last album that we took some time off to learn more about being in the studio. We wanted to take our time and record on our own terms.”

According to Byrne, their own terms included “taking a step forward with the production and the arrangements.” Kollar tacks “learning” on, for good measure, while Forsyth adds “good songs and bigger arrangements, and sounds than we had not previously achieved.”
Venue Information:
Brewery Ommegang
656 Co Hwy 33
Cooperstown, NY, 13326
http://www.ommegang.com/