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The Mdou Moctar show scheduled for 3/20 at Gateway City Arts has been canceled. Tickets purchased online will be refunded automatically. For additional information please contact Eventbrite at https://www.eventbrite.com/support. We hope to reschedule on their next tour. Please see below for a message from the band.
Due to circumstances out of our control, we need to cancel our tour for March and April (tickets for headline shows will be refunded at point of purchase). We are very sad not to come and play for all of our fans, but we understand it’s in the best interest for everyone to take caution and be safe. We hope everyone stays healthy, and look forward to coming back and playing for you soon!
Standing Room Only
Food and drink is available at GCA before and during the show. Come early to dine at Judd's, a new Czech-American restaurant, open from 5-10pm (reservations are strongly encouraged), or grab a taco (or 3) at Race Street Tacos from 6-10pm.
Mdou Moctar immediately stands out as one of the most innovative artists in contemporary Saharan music. His unconventional interpretations of Tuareg guitar have pushed him to the forefront of a crowded scene. Back home, he’s celebrated for his original compositions and verbose poetry, an original creator in a genre defined by cover bands. In the exterior, where Saharan rock has become one of the continents biggest musical exports, he’s earned a name for himself with his guitar moves. Mdou shreds with a relentless and frenetic energy that utterly sets him apart.
Mdou Moctar hails from a small village in central Niger in a remote region steeped in religious tradition. Growing up in an area where secular music was all but prohibited, he taught himself to play on a homemade guitar cobbled together out of wood. It was years before he found a “real” guitar and taught himself to play in secret. His immediately became a star amongst the village youth.
In 2008, Mdou traveled to Nigeria to record his debut album of spacey autotune, drum machine, and synthesizer. The album became a viral hit on the mp3 networks of West Africa, and was later released on the compilation Music from Saharan Cellphones. In 2013, he released Afelan, compiled from field recordings of his performances recorded in his village. Then he shifted gears, producing and starring in the first Tuareg language film, a remake of Prince’s Purple Rain (Rain the Color Blue with a Little Red in It). Finally, in 2017, he created a solo folk album, Sousoume Tamachek, a mellow blissed out recording evoking the calm desert soundscape. Without a band present, he played every instrument on the record. “I am a very curious person and I want to push Tuareg music far,” he says.
2019 brings his first recorded in a proper studio - Ilana (The Creator), out Mar. 29th on Sahel Sounds. He has shared the first single, “Kamane Tarhanin,” and has announced spring tour dates in support of the new record. A long time coming, Ilana is Mdou’s first true studio album with a live band. Recorded in Detroit at the tail end of a US tour by engineer Chris Koltay (the two met after bonding over ZZ Top’s Tres Hombres), the band lived in the studio for a week, playing into the early hours. Mdou was accompanied by an all-star band: Ahmoudou Madassane’s (Les Filles de Illighadad) lighting fast rhythm guitar, Aboubacar Mazawadje’s machine gun drums, and Michael Coltun’s structured low-end bass. The album was driven by lots of spontaneity – Mdou’s preferred method of creation – jumping into action whenever inspiration struck. The resulting tracks were brought back to Niger to add final production: additional guitar solos, overdubs of traditional percussion, and a general ambiance of Agadez wedding vibes.
The result is Mdou’s most ambitious record to date. Ilana takes the tradition laid out by the founders into hyperdrive, pushing Tuareg guitar into an ever louder and blistering direction. For Mdou, his style is to draw on both modern and traditional sources and combine elements into new forms. In “Ilana” Mdou reaches back into Tuareg folklore for inspiration, riffing on the hypnotic loops of takamba griots, or borrowing vocal patterns from polyphonic nomad songs, and combining them with his signature guitar. You can hear the effect in tracks like “Kamane Tarhanin,” where a call and response lyric lifts up over a traditional vocal hum before breaking into a wailing solo with tapping techniques learned from watching Youtube videos of Eddie Van Halen.
As Mdou travels the world, he divides his time between two places, alternating from lavish weddings in Agadez to sold out concerts in Berlin nightclubs. It offers a unique perspective, but also means that he needs to address different audiences. At home, his compositions send a message to his people. Abroad, his music is an opportunity to be heard and represent his people on a world stage.
Amrita “Ami” Kaur Dang is a South Asian-American vocalist, sitarist, composer and producer from Baltimore. Her sound ranges from North Indian classical fused with noise/ambient electronics to beat-driven psych and experimental dancepop. The work references her hybrid identity as a first-generation South Asian-American, Sikh upbringing, musical education, as well as the chaos and spirituality of the landscapes of both Baltimore and urban India.
Picking up her first sitar when she was twelve years old, Dang has studied North Indian classical music (voice and sitar) in both New Delhi and Maryland, and she also holds a degree in music technology & composition from Oberlin College Conservatory of Music. Following in the footsteps of artists like Ravi Shankar and Philip Glass, she seeks to advance the sound of contemporary experimental, pop, and electronic music with the sounds of South Asia--through vocals and sitar, ragas, and sampling. And vice versa, she aims to bring a broader sound palette to the legacy of South Asian music. These goals are a lifelong mission. To that end, she has collaborated with Animal Collective, Celebration, and Pearl & the Oysters--to name a few.
Her debut album Hukam came out in 2011 on Ehse Records to critical acclaim. She delved further into the sounds of experimental-indiepop on Uni Sun, her sophomore album that was released on Friends Records in 2016. Along with cellist Alexa Richardson, Ami is ½ of Raw Silk, who released their self-titled debut album in June 2018. Most notably, she has a big fan in Grimes, who hand picked Dang to accompany her on her 2013 tour of Asia as both an opening act and a backing vocalist. Dang appears on Grimes’ video for “REALiTi,” which was shot throughout the tour. Her music defies genre, and she has shared bills with many pop, rock, world, folk, hip hop, and experimental acts, including Future Islands, Chairlift, A Hawk and A Hacksaw, Ariel Pink’s Haunted Graffiti, Beach House, Wye Oak, Lil B, Bonnie Prince Billy, and Dan Deacon.
Her next album Parted Plains, featuring strictly sitar and electronics, will be released in 2019 on Leaving Records.
Gateway City Arts
92 Race Street
Holyoke, MA, 01040