WHY? Performs Alopecia
Sun · January 20, 2019
Doors: 6:00 pm / Show: 8:00 pm
Gateway City Arts
$17 - $20
This event is minors under 18 with parent or legal guardian
The Bistro at Gateway City Arts is open until 10pm on show nights, during these events there is counter service and we are unable to take reservations. Due to the high volume of patrons entering for the show, we will be serving a special event menu. To find out more about our menu and dining hours, visit gatewaycityartsbistro.com or call (413) 650-0786.https://www.dspshows.com/event/1787236/
Revisiting these songs is like catching up with an old, very strange friend—one who obsesses over his mortality, wonders if his exis some sort of god, identifies as a "lifelong local foreigner," and does his emotional unpacking in public restrooms*. When Yoni sings that he's been "faking suicide for applause in the food courts of malls" on album opener "The Vowels Pt. 2," you aren't sure if it's a metaphor about fame or a real thing he did. Our narrator's odd charm isAlopecia'smost enduring gift. Inspired by Bob Dylan and Joanna Newsom, Yoni packs confessional candor and vivid detail into honeyed melodies. Energized by Lil Wayne and MF DOOM, heseeds self-effacing boasts and mesmeric wordplay within complex rhyme schemes. The result is a swirl of humor, desperation, and beauty that both pulls us into his world and draws out our own proud, wounded inner weirdo. As Yoni coos on "The Hollows," "This goes out to dirty-dancing, cursing, backmasking, back-slidden pastors' kids / and all us Earth growths; some planted, some pulled."
That perspective formed in our hero's native Cincinnati—born in the basement of his rabbi dad's synagogue when lil Yoni started making songs on a dusty 4-track, and come of age in a different basement in his college years where, instead of graduating, he teamed with roommate Doseone and pal Odd Nosdam to form the revered avant-rap trio cLOUDDEAD. These family and friends haunt Alopecia—Dose raps on "The Hollows"; Nosdam is namechecked on"A Sky for Shoeing Horses Under"; Yoni's father and the language of faith appear often—creating layers of narrative for WHY?'s typically deep-diving fans to unpack. By 2008, Yoni was settled in Oakland, adding to the legacy of the Anticon label/collective he cofounded (most notably with his official 2003 LP debut Oaklandazulasylum). Though his brother Josiah Wolf and fellow Ohioan Doug McDiarmid moved west and joined WHY? before 2005's Elephant Eyelash, they had not yet recorded as a proper unit, orin a proper studio. Hell, Yoni'd never even tried tomake his words rhyme before.
You already know that they did all of those things and were rewarded with Alopecia, an album as adventurous asitis accessible, and remarkably fluid. To wit, "These Few Presidents" slides between modes, from upbeat and forced-smile bubbly to seething and slowly roiling. "Song ofthe Sad Assassin" is a tempo-blind rollercoaster of piano, vibes, vocal percussion, guitar, drum, and bass. And "Twenty Eight" spins a feedback-drenched rap beat, something like the Bomb Squad on acid, on a carousel. WHY?'s mind meld is all the more impressive considering they left their jerry-rigged home setup for Minneapolis' Third Ear studio, in the winter, and added Fog members Andrew Broder and Mark Erickson to the lineup. Over 20 days, the thermometer never cracked zero. There were hot toddies aplenty, Miles Davis records on repeat, and cramped quarters. In this heady, unfamiliar space, Yoni worried it was all for naught. But while recording "Good Friday," a brutal breakup song, he caught full-body chills. It wasn't the blizzard outside.
The Alopecia sessions were so successful, in fact, that they spawned two LPs (WHY?'s fourth, Eskimo Snow, arrived 18 months later). This one was finished in Berkeley and when time came to name it, Yoni chose a word that appears nowhere in the lyrics. He'd recently found a hole inhis beard which his old art-hop comrade Slug of Atmosphere identified as alopecia. The concept fit: more than onany other WHY? release, Yoni was uncovering his anger, anxiety, and ambition—celebrating his ugly by wearing his lowest of lows like badges of honor, devising characters to exorcise his inner demons, and arriving at begrudging self-affirmation. There's a line on "Brook & Waxing," reprised on "By Torpedo or Crohn's," that's become the loudest shout-along moment at WHY? concerts and the most likely quote to find tattooed in the crowd: "While I'm alive I'll feel alive / And what's next I guess I'll know when I've gotten there." Therein lies Alopecia's genius: we'll never get "there," notin10 years past or10 years more, but the beauty isin pushing on.
*really, there are no fewer than six bathroom scenes onAlopecia; can you find them all?
Gateway City Arts
92 Race Street
Holyoke, MA, 01040